The Talbot Hound: episode 1

The undercoat

Here’s what made us realise we had to film these episodes for you: a few weeks ago, someone commented on one of our short YouTube videos.

I see what’s happened here. The video title had raised their expectations. It suggested they could learn a skill like how to paint stained glass (true) in minutes (false).

Like “How to change the lightbulb on your Chrysler”.

But “How to paint stained glass” is not like that. It’s not like that at all.

David’s apprenticeship took 7 years (and counting), and mine was 4 (that’s why I can’t paint the same images he can).

Isn’t this a big part of the pleasure of why we take the pain to learn new skills? Time passes. We grow older. And along with the wrinkles comes the knowledge that this year we’ve improved our mastery of a skill: this time last year, we couldn’t have succeeded the way we can today. So time’s passage is now marked out by more than wrinkles. We’ve learned to achieve results we couldn’t achieve before.

But indeed the fault was ours for the video’s misleading title. It was click bait, which is always silly.

And what this comment made us realise is, we want to work with people who don’t need sensational titles.

We also want to work with people who are happy with longer videos videos (except when 5 minutes is all it takes). So if it takes 90 minutes or 3 hours, they’ll put the time in.

Here is episode 1 (a mere 11 minutes, but don’t panic, there’s much more to come). Download the video here. Watch it below. Afterwards, ask a question: if we’re not bound by client confidentiality, we’ll reply (though if you ask us “how do you … ?”, then sometimes we’ll have to say “It’s in this online course“, because teaching – like learning – takes a lot of time).

And, to be direct with you, the purpose of this series is not to instruct you but to offer you a glimpse of studio life – so you see how things work out in practise, which is often different from the theory (like when David tries to undercoat his glass, below).

And so, returning to the YouTube comment, to be direct with you: this really is like watching men flying jets.

The difference is, since we don’t cut out anything apart from a few seconds when I move the camera, these episodes will reveal a lot.

What they reveal, however, depends on you – you’ll all pick up on many different things:

Episode 2, next Friday.

Illuminate:

It's Like 2 Days With Us In Our Studio

Illuminate will teach you the key techniques of stained-glass painting, wherever you are:

I thoroughly enjoyed going through these lessons. They helped to nudge me back onto the true path” (Phil A., Australia)

If you’re new to glass painting, or you haven’t painted in a while and want to get back up to speed, check out this 8-week online course:

I have been wishing, for quite a while, to “upgrade” from Tiffany-style stained glass pieces (very nice though),  to the more classical and immortal work of real painted glass. But I didn’t know how to start, what materials and tools to use, or how to go about it. This opportunity is at hand, now, with this very professional course, where one can learn the trade, step-by-step, with these two wonderful masters who not only know it well, but are also capable of teaching artfully” (Luis M., Portugal)

It contains extraordinary videos, even if English isn’t your first language:

C’est formidablement expliqué. J’adore” (Jacky P., France)

There’s no need to travel, there’s no need to book accommodation – it’s like spending 2 days training with us in our studio:
You have beautifully demonstrated a very complex and delicate process which ends in lovely results: wonderfully informative” (Babs T., USA)

Illuminate – you can learn more here

This is something we haven’t filmed for you before

I’m glad you want to learn more about techniques like how to undercoat and trace, and how to flood and strengthen.

And indeed we love the thought that technique (not self-expression) is paramount.

But before technique – also before good brushes – there’s something else.

So let’s talk about that right now.

Watch This Video About How To Revive Your Hake

And organise your palette

I’m sure this scene’s familiar – it’s how your palette often looks before you start:

  • Your lump of paint is under a small bowl.
  • Your reservoir of left-over paint is under a larger one.

And your “applicator brush” – your hake – is clean and dry.

So yes, I’m sure you’ll recognise this sight:

Hake and stained glass palette at the start of the day

Meanwhile, this is where you want to be before you start to paint:

Hake and stained glass paint

It’s different: yes indeed.

Now your hake is a wonderful brush.

But it’s like a teenager: there’s a knack to waking it up and getting it ready for a day’s work.

A method …