So I’ve been working through the new designs David prepared for our workshop at Bryn Athyn this coming June.
My George III is coming on just fine for now …
So I’ve been working through the new designs David prepared for our workshop at Bryn Athyn this coming June.
My George III is coming on just fine for now …
The other day I caught myself ignoring the good advice which I always give to others.
Namely:
Don’t take things on blind trust, but always check facts for yourself.
So I’d been told it was impossible to get a particular glass paint.
Tracing when it’s hot is far more difficult than in the cold because your paint is always drying out. So the first thing is of course, you look around for common sense answers to this problem.
Of course:
Is there something I add to our paint to slow down the speed with which it dries?
Today you’ll see the techniques I use to paint a stained glass beast. Yes, you’ll discover how to do it all in a single firing. This is just like I did it for our students in the Netherlands in July. And it’s just like I did it one morning a month ago when Stephen had his camera on. I’ve got lots of demonstrations for you to watch – eight, in fact – so let’s get going now.
One last point before we start. You’ll need a good hour to read this article and watch the videos I’ve made for you. I’m saying this so you can be prepared. The information here is excellent. It’s also free. I don’t want you to miss out. So the best thing is, you know before you start how long the journey is.