Everyone’s work sometimes looks a mess. But what matters is what it looks like at the end. For example, the other day, Stephen caught me “softening” some trace-lines, and he was struck by something he saw me do. (Softening is where you lay down a wash or matt on top of unfired trace-lines, then blend gently while the wash is wet. This turns the trace-lines into gorgeous shadows.)
What he saw me do was: he saw me carry on – even though what was on the light-box looked absolutely awful.
Today you’ll see the techniques I use to paint a stained glass beast. Yes, you’ll discover how to do it all in a single firing. This is just like I did it for our students in the Netherlands in July. And it’s just like I did it one morning a month ago when Stephen had his camera on. I’ve got lots of demonstrations for you to watch – eight, in fact – so let’s get going now.
One last point before we start. You’ll need a good hour to read this article and watch the videos I’ve made for you. I’m saying this so you can be prepared. The information here is excellent. It’s also free. I don’t want you to miss out. So the best thing is, you know before you start how long the journey is.
Here’s a useful link to 19 glass painting strategies you can use right now. From undercoating to softening and from blocking in to modelling. You’ll find the 19 insider strategies right here.
How many do you use each time you paint stained glass?
They’re all right here.