In case you missed them, here are links to the six technique-packed posts we published here last week.
It all began last Saturday when our long-haul students flew in. (Where did they come from and what exactly were they here to do? Find out here).
It’s day #2 of an intensive glass painting course for our five hard-working, long-haul students.
See here for the 90-second video introduction.
In a moment, I’ll reveal the identity of the mystery kitchen object which can magically improve your tracing.
(And, no, it’s not a rolling pin.)
A good question from a colleague in Maryland, USA:
I am an experimental physicist in mid-career and very busy with work – so my time spent on stained glass and glass painting is very sporadic – it has been 8 or 10 months since my last project.
Is it OK to make the lump of paint (as you teach) and leave it for 6 months to a year?
Should it be tended to periodically over that time?
Will it “come back” and be usable after a very long time?
And the answers are …
Here’s a photo of some textured glass paint. And the question is, how’s it done?