3 Ways Our Tests Can Make Us Better Painters

A review of "Silver Stain - An Artist's Guide" by J. Kenneth Leap

Stained glass painting tests

In their Spring edition, The Stained Glass Association Of America published a review we wrote of Ken Leap’s fascinating book on silver stain.

The review explores three ways that tests improve our skill.

Yes, tests improve our skill, even though we sometimes feel they slow us down.

Here’s a link so you can read more.

Good Stained-Glass Design vs. Bad Stained-Glass Design

This is one thing you particularly need

And it’s going to get full

Since your window lasts for centuries, you mustn’t fail on glass.

And that’s the point of paper.

But paper has its limitations

In particular, paper reflects light (whereas glass transmits it).

So for me it’s a bad sign when a client falls in love with a design:

  • I don’t want a design that’s beautiful-in-itself …
  • I do want a design that’s adequate for the journey.

This often means a lot of waste.

A lot of wasted paper

So, again for me, this is one sight which helps me understand whether someone is likely – in the end, after a lot of hard work and heartache – to prepare a good design.

This is it:

A full paper-bin

A full paper-bin

Strengthening Your Stained-Glass Windows

Why I prefer shaped bars to straight ones, even though they're not as strong

Stained glass shaped reinforcement bars

Shaped reinforcement bars

I don’t see the point in spending weeks on a design only for the reinforcement bars to spoil the finished window.

Granted: shaped bars are not as strong as straight ones.

Our answer is to add a few more by way of compensation. After all, you barely see them.

So we use straight bars where sections sit on top of one another, shaped bars within a section: the best of both worlds.