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	<title>Comments on: Gold</title>
	<atom:link href="http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/</link>
	<description>Kiln-fired stained glass painting - fire less, paint better</description>
	<lastBuildDate>Mon, 06 Feb 2012 09:50:33 +0000</lastBuildDate>
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		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-2048</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Tue, 20 Sep 2011 06:51:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-2048</guid>
		<description>Indeed it was this very technique - Verre Eglomise - we used to remake the bell pull: difficult, but we definitely learned something new.</description>
		<content:encoded><![CDATA[<p>Indeed it was this very technique &#8211; Verre Eglomise &#8211; we used to remake the bell pull: difficult, but we definitely learned something new.</p>
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		<title>By: Fiona</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-2046</link>
		<dc:creator>Fiona</dc:creator>
		<pubDate>Mon, 19 Sep 2011 00:01:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-2046</guid>
		<description>Don&#039;t know how much Gold you intend to use or if you are using clear or coloured glass, but a thought occurred to me ... you could the use Verre Eglomise technique. Using Gelatin or Oil to place Pure Gold leaf onto the back of the glass. You must protect it in some way so, a clear varnish or laminate as I suggested earlier. Google &quot;Verre Eglomise&quot; - you will get some idea of what I am talking about.</description>
		<content:encoded><![CDATA[<p>Don&#8217;t know how much Gold you intend to use or if you are using clear or coloured glass, but a thought occurred to me &#8230; you could the use Verre Eglomise technique. Using Gelatin or Oil to place Pure Gold leaf onto the back of the glass. You must protect it in some way so, a clear varnish or laminate as I suggested earlier. Google &#8220;Verre Eglomise&#8221; &#8211; you will get some idea of what I am talking about.</p>
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	<item>
		<title>By: Fiona</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-2045</link>
		<dc:creator>Fiona</dc:creator>
		<pubDate>Sun, 18 Sep 2011 22:24:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-2045</guid>
		<description>Hi,

Just seeing your note about the board in the servants quarters made me think of a funny story. My husband Chris had to collect some mail for the owner of an very old house, which was totally empty at the time. As he walked in then walked through to the main hall, a door slammed loudly in another room! He collected the mail from the hall, &amp; as he walked through the kitchen to go out of the back door, the buzzer for &#039;bedroom 2&#039;  on the board began to buzz, not just once but many times! Needless to say he was out of the back door like a bolt of lightening!! Lol!! &amp; Guess what, the wiring that used to be connected to the buzzer board was taken off long ago during renovation! 

Now I know that didn&#039;t help with your Gold problem, but if you can&#039;t get hold of Rosalba&#039;s suggested enamels, then how about using  Gold leaf, then glass laminate, to protect, but you need to use &#039;Pure&#039; Gold leaf as substitute gold leaf will tarnish eventually. Just a thought.

Fiona</description>
		<content:encoded><![CDATA[<p>Hi,</p>
<p>Just seeing your note about the board in the servants quarters made me think of a funny story. My husband Chris had to collect some mail for the owner of an very old house, which was totally empty at the time. As he walked in then walked through to the main hall, a door slammed loudly in another room! He collected the mail from the hall, &amp; as he walked through the kitchen to go out of the back door, the buzzer for &#8216;bedroom 2&#8242;  on the board began to buzz, not just once but many times! Needless to say he was out of the back door like a bolt of lightening!! Lol!! &amp; Guess what, the wiring that used to be connected to the buzzer board was taken off long ago during renovation! </p>
<p>Now I know that didn&#8217;t help with your Gold problem, but if you can&#8217;t get hold of Rosalba&#8217;s suggested enamels, then how about using  Gold leaf, then glass laminate, to protect, but you need to use &#8216;Pure&#8217; Gold leaf as substitute gold leaf will tarnish eventually. Just a thought.</p>
<p>Fiona</p>
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	<item>
		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-432</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Mon, 01 Mar 2010 20:43:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-432</guid>
		<description>Gosh - thanks for that tip, Bob. It doesn&#039;t sound like you&#039;re a &quot;bodger&quot; in any sense of the word.

All the best,
Stephen</description>
		<content:encoded><![CDATA[<p>Gosh &#8211; thanks for that tip, Bob. It doesn&#8217;t sound like you&#8217;re a &#8220;bodger&#8221; in any sense of the word.</p>
<p>All the best,<br />
Stephen</p>
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		<title>By: Bob the Bodger</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-431</link>
		<dc:creator>Bob the Bodger</dc:creator>
		<pubDate>Mon, 01 Mar 2010 15:01:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-431</guid>
		<description>I have fused gold leaf onto crystal glass blown vessels by placing the gold or silver leaf on the surface. Then over-coating with Bat wash or bone china slip and cleaning off after firing up to 790 degrees Centigrade.

You could buy a sheet of gold enamel transfer (Ceramic Transfers) and cut to size, paste on and fire ...

Bob the Bodger</description>
		<content:encoded><![CDATA[<p>I have fused gold leaf onto crystal glass blown vessels by placing the gold or silver leaf on the surface. Then over-coating with Bat wash or bone china slip and cleaning off after firing up to 790 degrees Centigrade.</p>
<p>You could buy a sheet of gold enamel transfer (Ceramic Transfers) and cut to size, paste on and fire &#8230;</p>
<p>Bob the Bodger</p>
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	<item>
		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-379</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Mon, 01 Feb 2010 14:47:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-379</guid>
		<description>Hi Rosalba,

Thanks so much for that tip. It &lt;em&gt;is&lt;/em&gt; useful!

All the best,
Stephen</description>
		<content:encoded><![CDATA[<p>Hi Rosalba,</p>
<p>Thanks so much for that tip. It <em>is</em> useful!</p>
<p>All the best,<br />
Stephen</p>
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		<title>By: Rosalba Grimaldos</title>
		<link>http://www.realglasspainting.com/stained-glass-paints/2009/05/23/gold/comment-page-1/#comment-378</link>
		<dc:creator>Rosalba Grimaldos</dc:creator>
		<pubDate>Fri, 29 Jan 2010 16:16:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=1969#comment-378</guid>
		<description>I don&#039;t know if this can help - I use &quot;Liquid Bright Gold (for gold) and &quot;Liquid Bright Palladium&quot; (for silver) from THOMSON ENAMELS (BELLEVUE, KY 41073, US).</description>
		<content:encoded><![CDATA[<p>I don&#8217;t know if this can help &#8211; I use &#8220;Liquid Bright Gold (for gold) and &#8220;Liquid Bright Palladium&#8221; (for silver) from THOMSON ENAMELS (BELLEVUE, KY 41073, US).</p>
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