How Do I Follow That … ?

by Stephen Byrne

OK, so last time it was Brigitte Bardot, Bill Haley, a broken-nosed bodyguard with two missing fingers, Henry Miller and – a pussy cat … and all this in a stained glass studio?

So how do I follow that?

I see that David – my dear fellow director and master glass painter – has left me with one Hell of a cliff-hanger.

Which gives me an idea …

One Hell of a cliff-hanger

Yes, speaking of Hell, if you had visited the studio this week, you’d have witnessed the birth of eight ferocious stained glass beasts.

All born to meet the tycoon’s contract.

Remember there are 16 stained glass skylights we must make and deliver by September. (Or else, we suspect, a “deadline” will mean exactly that.)

Initial sketch showing Gothic inscription panels and Bestiary panels (no Seasons)

Initial sketch showing Gothic inscription panels and Bestiary panels (no Seasons)

And, to be specific, four of them contain dark inscriptions in the Gothic style, and four of them commemorate the Seasons.

Which leaves eight of them to represent the tycoon’s bestiary.

Each skylight must be made to look original, time-worn and – original.

“Nothing new!” said the tycoon.

“Or else!” growled his bodyguard.

So thank goodness for the medium-grade sandpaper with which David distressed the traced lines:

"I hope it was the best quality medium-grade sandpaper you used ..."

"I hope it was the best quality medium-grade sandpaper you used ..."

And thank goodness for the many joys of oil …

"Steady on, you glass painters - remember: I can bite!"

"Steady on, you glass painters - remember: I can bite!"

Lastly, thank goodness for the subtlety of oil-based silver stain:

"Subtle? SUBTLE? You call this 'subtle'?"

"Subtle? SUBTLE? You call this 'subtle'?"

Which leaves the tantalising question … did the silver stain succeed?

The eighth beast

Ladies and Gentlemen – our fellow glass painters: get out your popcorn, settle back in your comfy seats, turn on your speakers, and – hit Play!

With eight beasts prowling around the studio this week, you can see why we weren’t answering the phone

Five days. Eight beasts … Job done!

Best,

Stephen

P.S. Does a many-headed beast “beat” Brigitte Bardot? I’ll not be so divisive as to ask you to vote on it. I’ll just pass the “unseen mystery” of the publisher’s sitting room windows back into David’s trusty hands. For next time. Or whenever. (We do so like to keep you guessing!)

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Comments on this entry are closed.

{ 11 comments }

Anne Moss

When I grow up, I want to be just like you! Really wonderful stuff.

Stephen Byrne

Just like me?

David Williams

No! Like me! – I did the painting!

Stephen Byrne

Yes – modelled on yourself

David Williams

Watch and copy, Little Grasshopper – watch and copy!

Bill Sturton

Hello there!

What oils did you use for staining? And how do you apply them smoothly?

Thanks!

Best wishes,
Bill

P.S. Nice clip!

Stephen Byrne

Hello Bill,

With silver stain, we make a thick paste using Sandalwood Amyris and a little bit of Lavender. When time comes to use the stain, we dilute it to a working consistency with more Lavender.

As for making it smooth: you apply it as smoothly as you can, then use a round-headed badger to blend, and finally use a Q-tip / cotton bud to tidy up. All very quick and simple.

I hope this helps.

All the best,
Stephen

Karen Reed

WONDERFUL! Yes, the beast beats Brigitte! That series of skylights should be fantastic in the true sense of the word. Thanks for letting all of us see it/them!
Karen

David Williams

Hi Karen,

I’m glad you like the work-in-progress … there’ll be many more clips and videos coming along!

Best wishes,
David

Saskia Lupini-Klute

Dear Stephen & David,

Amazing & lovely & scary!!!

Thank you so much for all your wonderful adventures.

Are these Welsh dragons? I’ve heard about the Welsh goldmines, and I wonder what creatures will come out of them to your studio now that they know you do this so well … :o )

Best,
Saskia

Stephen Byrne

Hello Saskia,

I believe this particular beast is actually Flemish because I found his original in a book of the so-called “Flemish Apolcalypse” – a rare re-print of which I own (it’s gorgeous … one of only 750 copies ever printed: with gold leaf throughout).

And yes we’ll continue with studio adventures and instructional events here on this website, while we will mainly deal with glass painting tips and techniques through the regular e-mail newsletter.

All the best,
Stephen

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