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	<title>Comments on: Painting on Glass Vs. Painting on Paper</title>
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	<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/</link>
	<description>Kiln-fired stained glass painting - fire less, paint better</description>
	<lastBuildDate>Mon, 06 Feb 2012 09:50:33 +0000</lastBuildDate>
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		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-514</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Thu, 15 Apr 2010 15:11:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-514</guid>
		<description>Hello John,

That&#039;s wonderful your stained glass portraits turned out so well. And the connection you make with charcoal drawing is exact: charcoal drawing is so much closer to stained glass painting than is water-colour painting, for example. 

All the best,
Stephen</description>
		<content:encoded><![CDATA[<p>Hello John,</p>
<p>That&#8217;s wonderful your stained glass portraits turned out so well. And the connection you make with charcoal drawing is exact: charcoal drawing is so much closer to stained glass painting than is water-colour painting, for example. </p>
<p>All the best,<br />
Stephen</p>
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		<title>By: John</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-506</link>
		<dc:creator>John</dc:creator>
		<pubDate>Wed, 14 Apr 2010 14:28:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-506</guid>
		<description>This describes exactly what has been churning around my head as I paint. I have recently completed a large window with two portraits in it. I painted the entire window with what I consider &#039;limited&#039; eyesight. My artwork tends to, now, take on a more impressionistic feel. I am literally painting what I see and I find that it resembles my charcoal work from years past. It&#039;s as if my distorted vision allows my to see how light will envelope the window and space prior to installation. I am happy to say that those portraits turned out nicely and the congregation fell in love with the window right away. Thanks for all your support and advice along the way!

John ~ Old Sun Stained Glass Studio</description>
		<content:encoded><![CDATA[<p>This describes exactly what has been churning around my head as I paint. I have recently completed a large window with two portraits in it. I painted the entire window with what I consider &#8216;limited&#8217; eyesight. My artwork tends to, now, take on a more impressionistic feel. I am literally painting what I see and I find that it resembles my charcoal work from years past. It&#8217;s as if my distorted vision allows my to see how light will envelope the window and space prior to installation. I am happy to say that those portraits turned out nicely and the congregation fell in love with the window right away. Thanks for all your support and advice along the way!</p>
<p>John ~ Old Sun Stained Glass Studio</p>
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		<title>By: Michael Watts</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-505</link>
		<dc:creator>Michael Watts</dc:creator>
		<pubDate>Sun, 11 Apr 2010 23:49:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-505</guid>
		<description>What a great perspective twist.  As a lover of all things dark, I can pull up to this much more readily than the idea of painting with light.  I will ponder this during my next painted commission.  

Thanks, guys!</description>
		<content:encoded><![CDATA[<p>What a great perspective twist.  As a lover of all things dark, I can pull up to this much more readily than the idea of painting with light.  I will ponder this during my next painted commission.  </p>
<p>Thanks, guys!</p>
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		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-496</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Mon, 29 Mar 2010 13:50:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-496</guid>
		<description>Glass painters as aspiring &lt;em&gt;worthy shapers of the formless&lt;/em&gt; is a wonderful notion: thanks for your comment, Terry.

All the best,
Stephen</description>
		<content:encoded><![CDATA[<p>Glass painters as aspiring <em>worthy shapers of the formless</em> is a wonderful notion: thanks for your comment, Terry.</p>
<p>All the best,<br />
Stephen</p>
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		<title>By: Terry</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-493</link>
		<dc:creator>Terry</dc:creator>
		<pubDate>Mon, 29 Mar 2010 03:57:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-493</guid>
		<description>Gentlemen!

As always, your tongue-in-cheek banter is a delight and source of mirth in what is an often solitary pursuit. 

Your apt description has me envisioning us all as unseen beings, dutifully shaping a formless darkness about the brazenly uninhibited light, quietly leading it to its best presentation - guiding it to subtlety or boldness, whichever is its intended task. 

Peter Gibson (of York Minister fame) once told me that glass painters are &quot;geniuses&quot;. I am still a bit uncomfortable with the weighty connotations of that title, but at times we do seem graced with results that certainly verge on it. 

Let us all aspire to be worthy shapers of the formless!

All the best,
Terry</description>
		<content:encoded><![CDATA[<p>Gentlemen!</p>
<p>As always, your tongue-in-cheek banter is a delight and source of mirth in what is an often solitary pursuit. </p>
<p>Your apt description has me envisioning us all as unseen beings, dutifully shaping a formless darkness about the brazenly uninhibited light, quietly leading it to its best presentation &#8211; guiding it to subtlety or boldness, whichever is its intended task. </p>
<p>Peter Gibson (of York Minister fame) once told me that glass painters are &#8220;geniuses&#8221;. I am still a bit uncomfortable with the weighty connotations of that title, but at times we do seem graced with results that certainly verge on it. </p>
<p>Let us all aspire to be worthy shapers of the formless!</p>
<p>All the best,<br />
Terry</p>
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		<title>By: David Williams</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-488</link>
		<dc:creator>David Williams</dc:creator>
		<pubDate>Sat, 27 Mar 2010 23:29:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-488</guid>
		<description>Douglas,
The thing &lt;em&gt;we&lt;/em&gt; find is that we&#039;re meeting the right people - the people like you who reflect on things.

It&#039;s so interesting to us that we meet such &lt;em&gt;reflective&lt;/em&gt; people who are engaged in this light-&lt;em&gt;transmitting&lt;/em&gt; craft.

All the best,
David</description>
		<content:encoded><![CDATA[<p>Douglas,<br />
The thing <em>we</em> find is that we&#8217;re meeting the right people &#8211; the people like you who reflect on things.</p>
<p>It&#8217;s so interesting to us that we meet such <em>reflective</em> people who are engaged in this light-<em>transmitting</em> craft.</p>
<p>All the best,<br />
David</p>
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		<title>By: Painting with Light? &#8211; No, Painting with Darkness!</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-483</link>
		<dc:creator>Painting with Light? &#8211; No, Painting with Darkness!</dc:creator>
		<pubDate>Sat, 27 Mar 2010 22:27:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-483</guid>
		<description>[...] on from David&#8217;s provocative tip about painting with darkness, I&#8217;m going to make my own contribution with some clips I filmed while he was painting St. [...]</description>
		<content:encoded><![CDATA[<p>[...] on from David&#8217;s provocative tip about painting with darkness, I&#8217;m going to make my own contribution with some clips I filmed while he was painting St. [...]</p>
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		<title>By: Douglas Cartwright</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-480</link>
		<dc:creator>Douglas Cartwright</dc:creator>
		<pubDate>Sat, 27 Mar 2010 11:23:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-480</guid>
		<description>How did you guys manage to appear in my world just at the right time? I mean, I presume Williams &amp; Byrne had been putting things on the web prior to my becoming aware of their existence, but it continues to stun me the way that the world places just the &lt;em&gt;right ideas in my head&lt;/em&gt; at &lt;em&gt;just the time&lt;/em&gt; that I need to be thinking about them. Thank you, David and Stephen - &quot;painting with darkness&quot; is a beautiful way of imagining it. They say that Rembrandt did everything that could be done with darkness. But I think there&#039;s a few things yet to discover.</description>
		<content:encoded><![CDATA[<p>How did you guys manage to appear in my world just at the right time? I mean, I presume Williams &#038; Byrne had been putting things on the web prior to my becoming aware of their existence, but it continues to stun me the way that the world places just the <em>right ideas in my head</em> at <em>just the time</em> that I need to be thinking about them. Thank you, David and Stephen &#8211; &#8220;painting with darkness&#8221; is a beautiful way of imagining it. They say that Rembrandt did everything that could be done with darkness. But I think there&#8217;s a few things yet to discover.</p>
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		<title>By: Stephen Byrne</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-487</link>
		<dc:creator>Stephen Byrne</dc:creator>
		<pubDate>Sat, 27 Mar 2010 09:24:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-487</guid>
		<description>Hello Cyrus and Jaishree,

Yes, indeed! And I&#039;ve just added a new video &lt;a href=&quot;http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/27/stained-glass-painting-with-darkness/&quot; rel=&quot;nofollow&quot;&gt;right here&lt;/a&gt; which shows exactly what you say! I just want you to know that we are here to work with all the comments and ideas that you and others kindly make.

All the best,
Stephen</description>
		<content:encoded><![CDATA[<p>Hello Cyrus and Jaishree,</p>
<p>Yes, indeed! And I&#8217;ve just added a new video <a href="http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/27/stained-glass-painting-with-darkness/" rel="nofollow">right here</a> which shows exactly what you say! I just want you to know that we are here to work with all the comments and ideas that you and others kindly make.</p>
<p>All the best,<br />
Stephen</p>
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		<title>By: Cyrus and Jaishree</title>
		<link>http://www.realglasspainting.com/stained-glass-painting-techniques/2010/03/26/glass-painting-vs-paper/comment-page-1/#comment-479</link>
		<dc:creator>Cyrus and Jaishree</dc:creator>
		<pubDate>Sat, 27 Mar 2010 06:17:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.realglasspainting.com/?p=4646#comment-479</guid>
		<description>Yes, you do paint with darkness but then you break through that darkness and see light.

Jaishree</description>
		<content:encoded><![CDATA[<p>Yes, you do paint with darkness but then you break through that darkness and see light.</p>
<p>Jaishree</p>
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