Ivo de Croock wrote to us from Antwerp, Belgium, and asked what we meant by the term “fire-polishing”.
In the first place, we don’t etch with acid at our studio. (A colleague lets us use their studio for acid-work.)
But we sometimes etch by sand-blasting.
Now the sand abrades the surface of the glass and leaves it rough.
It’s now that we “fire-polish” the sand-blasted glass.
- We put it in the kiln and fire the glass to about 710 c. / 1310 Fahrenheit.
- We soak it there for about five minutes before descending and annealing.
This has two effects.
It smooths the sand-blasted glass.
It also softens the line where the sand-blasted glass meets the glass which has not been sand-blasted.
All in all, the glass seems to us to appear more like a liquid than it did before.
After the fire-polishing, we can paint and stain it as we normally would.
And this is what we did in the small panel of which you see an excerpt at the top of this post.















{ 2 comments… read them below or add one }
Hey there!
I was wondering why my paint has a matte finish after it’s done. I fire it around 1165 Fahrenheit and let it soak for 15 minutes.
Should I fire it at 1200 Fahrenheit for abour 20 minutes?
Thank you so much!
Cheryl
Hi Cheryl,
We fire our Reusche tracing and shading paint (DE401) at 1250 Fahrenheit (675 Celcius) and might also soak it for 3 minutes. That gives us a smooth and shiny finish.
If this doesn’t work for you, maybe you’re using a different brand and make of glass paint; or maybe your kiln is giving a strange reading …
You can download our firing schedules from the stained glass painting guides page.
I hope this helps.
All the best,
Stephen
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