Using Your Palette
The other day someone sent me an email saying “Hogwash!” (meaning rubbish) to an article I’d written where I’d talked about the importance of your palette. I duly re-read the article. My point was, take as much time as you need to prepare your palette – and then the actual whatever-you’re-doing (e.g. undercoating, tracing, strengthening, flooding etc.) is relatively easy. And I will never change my mind about this. Therefore I am very glad I provoked this response above. Because this reader then terminated his subscription to the free newsletter we send out. And that is very good because we cannot help him.
Now for you. I understand I must convince you and that I cannot expect or demand that you should trust me. So I ask you to consider these articles and weigh up for yourself the importance of the palette. For me, it’s the place where you transform the paint to the density and consistency you want. If you don’t do this properly, then even the best brush in the world in the hands of the best glass painter in the world will court disaster.
And you? What do you think?
Here are several articles about the palette as such. When you want to know more, see the evidence by looking at the articles about tracing and also undercoating … that’s where you will see the palette in action.
by David Williams on July 31, 2012
This will save you time and money

How to look after your paint
You know how we recommend you paint with a lump of glass paint (not a teaspoonful) because that way you can just cut off a slice or two at a time and dilute it to any consistency and density you want?
OK, so let’s spend time today considering your whole palette and how to care for it.
Specifically, how to leave it when you’ve finished painting for the day.
And pay attention here because if you’re not doing what I’m going to suggest you do, then you’re wasting time and/or money.
[click to continue…]
by Stephen Byrne on December 18, 2011
Stained glass tracing – one problem is, the design can “make” you rush
A big problem you’ve maybe met is how, with the design in front of you, you want to rush and hurry and get your tracing finished.
And yet …
Continue reading …
by David Williams on July 21, 2011
By way of saying “thank you” for all your helpful comments on our last post, we’ve made you a new, exclusive video demonstration.
Stained glass tracing: here’s how to think about it in a very different, useful way …
[click to continue…]
by Stephen Byrne on February 25, 2010
OK so you’ve made your lump of paint. You’ve also discovered the benefits of diluting it a little at a time to make the consistency and darkness of paint that you need for your next sequence of brush-strokes.
And then it’s time to stop for the day …
When you return, your lump of paint is dry.
Really dry. Dry as a bone in fact.
What on earth do you do to bring it back to life?
[click to continue…]
by Stephen Byrne on June 26, 2009
Checklist
Here’s a check-list for anyone who’s starting out as a stained glass painter:
- Keep in touch with us – many articles and videos on this site, and we also answer questions
- See below for details about glass paint and mixing bowl, gum Arabic, media (water and/or oil), light box, palettes, palette knives, paint covers, painting bridge / arm rest, jam jars, badger blender, wide narrow brushes, tracing brushes, various sticks, needles, scrubs, kiln, kiln trays and kiln controller
- Read this e-book about kiln-fired stained glass painting - it’s packed with recipes, techniques, step-by-step projects and the kind of common sense you’ll only get by working with a successful studio
- Get the free newsletter – each week you’ll get a quick tip that will help your stained glass painting: join here now [click to continue…]