How to mix a small quantity of glass paint

Part 2

Last month you saw an email we received from David. He asked about mixing a small quantity of glass paint – our usual approach being to mix a lot of paint, enough to keep us going for a week or fortnight.

David wrote:


Hello Gentlemen,

My question is : How do you mix up small quantities of paint for just 2 or 3 small suns …

Stained-glass sun


Full email and my answer here.

And I promised you a film.

Which I’ve now prepared.

It’s in 3 parts.

Part 1:
the way I was first shown to mix a small quantity of glass paint and what’s wrong with this approach

Part 2:
a slower, better way to mix a small quantity of glass paint

Part 3:
five days later – has it dried out?

Here you are, glass paint fanatic I know you are – and kindly be advised that I am headless throughout this fascinating video …

I hope this particularly helps new students coming here from our book, The Glass Painter’s Method – because yes, when you’re starting, it can be frightening I admit to mix the large quantity of glass paint we use here. (Though not as frightening surely as watching someone who talks but doesn’t seem to own a head.)

By all means mix a teaspoon-and-a-half to start with.

Just don’t do it like Part 1.

Take 10 minutes and do it like Part 2.

After 5 goes, you’ll be doing it in half-the-time.

Then you’ll be ready to mix your paint the way we recommend.

Proof that the undercoat is versatile

Making two new windows – left and right – to go each side of the existing image of Saint Chad in the middle (who was made some 30 years ago):

Stained glass design: new windows left and right
Sketch design for two new stained-glass windows (left and right)

Left and right, you could just use unpainted glass.

But this wouldn’t really work, because the light would be uneven.

Horribly uneven …

Brief silence

The Glass Painter's Method

Book 1

There’s a brief silence from us while we finish work on our first book.

But anytime you have a question, you can email us, and we’ll give you the best information we have.

The Glass Painter's Method: Book 1 : Brushes, Paints & Tools

Publication date:
December 1st 2018

Formats:
Hardback (ISBN 978-1-9996189-0-2)
and ebook

Available from:
All good booksellers
and online e.g. Amazon, iTunes, Barnes & Noble, Kobo, Smashwords

 

Firing stained glass paint

How we make the surface smooth and firm

When you buy a kiln, you also need a shelf (or shelves if there are several levels in your kiln).

But you don’t fire your glass directly on this shelf.

  • The shelf is not – repeat: not – non-stick.
  • Nor is it smooth.
  • Nor does it heat up and cool down / expand and contract at a similar rate to your glass.

All this defines your quest: you want a non-stick, smooth surface which expands and contracts with your glass.