Cindy Whitehead from Cleburne, Texas wrote to say her first silhouettes had blistered in the kiln when they were fired. What went wrong?
From the category archives:
The Glass Painter's Method by Williams & Byrne
Kiln-fired stained glass painting: paint better, fire less - learn how here
Important: how to save time and money on glass paint, silver stain and brushes – and also on your firing costs …
Paint Better, Fire Less – Learn How Here:
Your Comments
Thank you for the complete and beautiful e-book. I have started reading and very impressed. As a beginner I enjoyed the video too. I don’t think the color photos could be as bright in a paper book
— R.B. Griffith (El Paso, Texas, US)Sign up for the free newsletter, because here's the kind of help you'll get from us: don't miss out
- Basic checklist of things you need
- Does glass paint go stale?
- Have you ever tried it with oil on top?
- Historic stained glass: discovering who made it
- How you can "age" stained glass so it looks older than it is
- Lead-free glass paints
- Revealed: the right way to load and shape your tracing brush
- Silver stain – a different way to use it
- Silver stain – why oil is better than vinegar or water
- Soldering – the most annoying thing about working with gas
- Sometimes you need 3 or 4 designs: here's why
- Stained glass highlights: get them right, and they look gorgeous. But get them wrong …
- Stained glass painting with oil: the benefits and the process
- Stained glass silhouettes: a case study
- Tracing, shading, flooding, highlighting, working with oil and silver stain: a case study
- Tracing: 9 tips to keep a steady hand
- Tracing: don't rush this (a video demonstration)
- What happens if you make a mistake when you are painting?
- Why you need these stained glass painting brushes
Don’t Waste Time, Money, Glass and Glass Paint – Get these Technique-Packed Guides:
Classical glass painting - how you can trace, shade, flood & highlight (front & back) in a single firing & why you need a lump of paint to do this (not a teaspoonful). Learn more about this downloadable guide to classical stained glass painting right here. Firing less saves you time and money. But it also means your glass looks better. Comes with 9 video demonstrations so you see exactly what to copy. Learn more here
Advanced glass painting with oil - how you can use oil to shade slowly & also easily & still do all your glass painting (front & back) in a single firing. See here for oil-based stained glass painting - that's oil on top of unfired water-based paint, it's easy and the effects are beautiful. Includes how to paint a stained glass head and 14 online demonstrations. See here how oil makes shading so much easier
Silver stain and oil - how you can trace, blend, shade & flood from a reliable batch that keeps for months (and why water or vinegar are no good for this). Don't waste your time and money with water or vinegar - use silver stain and oil as explained in this technique-packed guide and 8 online videos. See here for silver stain and oilThe Glass Painter's Other Sites
Williams & Byrne – The Glass Painters
Williams & Byrne in the news
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Williams & Byrne Techniques Limited is registered in England No. 7021287 with VAT Registration No. 978 0375 79
To re-publish any material on this site, always first get written permission from Williams & Byrne
Williams & Byrne Techniques Limited is registered in England No. 7021287 with VAT Registration No. 978 0375 79
To re-publish any material on this site, always first get written permission from Williams & Byrne