Kiln-Fired Stained Glass Painting
Techniques | Recipes | Mastery - written and presented by Williams & Byrne
This works for us …
Some of you folks are forever teasing us about our soldering iron. I mean, here we are – Williams & Byrne – designing and making fabulous stained glass for fabulous houses: at the top of the profession, and yet we use gas to join the painted glass and lead. But my point is -
Your trace lines – your outlines, or contour lines – these lines can only be as good as your paint and tracing brush allow.
So if your glass paint is badly mixed, or your tracing brush is wrongly shaped and loaded, your trace lines can’t be right.
End of story.
That’s why today I want to show you the right and the wrong way to load your tracing brush.
All I ask three minutes of your time, that’s all I’ll take, and in return you’ll see the difference.
Take a few minutes to remind yourself about these four important glass painting techniques
It’s a rough world out there …
Your best skills are needed more than ever.
That’s why it’s so important you look back and take account of all the things you’ve learned here these past 12 months.
So this week and next, we’ll select a handful of techniques you must master absolutely. I’ll start right now with …
Kiln-Fired Glass Painting – Four More Vital Tips
by David Williams on January 1, 2012
Today four more useful reminders for you
Stephen’s four reminders last time were: oil, flooding, holding firm on pricing, and being comfortable when you work.
Now it’s my turn to look back on 2011 and also take you forward to the coming year.
1. Racing to trace vs. pacing your tracing
First up, tracing – specifically, what you must do to trace well. I don’t care how many times we mention this because it’s so important.
Every week we hear from people whose whole approach has drastically improved – just because they stopped racing to trace and started focusing more on their palette.
Continue reading …