I’m glad the post on blistered paint (and how to stop it) was useful to you.
Afterwards, Ron Prondzinski made a really useful comment about Reusche’s water-based painting medium (D1368).
My response was:
What special uses does it have?
I mean, why use a manufactured medium rather than just plain water which we can all get from the tap?
I also thought:
I’m no dinosaur but …
Why haven’t I tried it yet?
57 new subscribers this week – it’s great so many people are willing to work hard improving their glass painting techniques.
Make no mistake: working with us is often tough, but you’ll get your own reward.
And I don’t just mean the free video at the end of this post.
I mean: your own achievements.
Today – blistered paint – you know, when glass paint bubbles and cracks in the heat of the kiln: 5 causes and 1 myth.
But first, here’s why you must know how to do it properly …
Here’s a photo of some textured glass paint. And the question is, how’s it done?
Amidst the many questions we got this week, we had two questions about which colour glass is best to paint a stained glass face.