Stained Glass Painting with Oil – Essential Tips: Part 2

Hello again, it’s David here, while Stephen keeps nice and busy (and happy too, I trust) with some fiendishly difficult painting and the exciting new film project we’re working on.

Which leaves me in charge of the blog so that’s why I took the executive decision to remind you of / excite you with the delights of painting with oil on top of unfired water-based glass paint.

And if you missed part 1 of my essential tips to oil-based glass painting, head off there right now and come back when you’re ready.

Now a number of you wrote and asked whether oil-based glass painting is only suitable for advanced or professional glass painters.

So let’s deal with that question before getting to grips with today’s essential tips …

Stained Glass Painting with Oil

Essential Tips: Part 1

I’m now spending a few days in charge here while Stephen gets on with some particularly difficult painting plus puts the finishing touches to a documentary we’ve made.

Anyway, yesterday I spent a morning painting with oil. And what a calm and happy time it’s been. Not that it isn’t when I’m working with water. It’s just that, with oil, you can pretty much start and stop whenever you want.

And – rather than having a fixed idea of the effect you definitely want to achieve (as is the case with water) – you have the time to push the oil paint here and there, and reflect on what looks best, changing it as you see fit.

So here are some key points about working with oil on top of unfired water-based paint.

If you’re already a “convert”, these tips will come as a handy reminder.

And if you’re new to oil, they’ll show you its amazing potential.

So I’ll start off with 5 tips today, then we’ll continue the series the day-after-tomorrow (Wednesday) and see how we get on.

Stained Glass Painting with Oil – Excellent News for You

Just had a full studio meeting.

And I see my work is well and truly cut out for me next week.

(As if it ever isn’t.)

So I am handing over my personal reins-of-power to David. Briefly.

He muttered something about writing you a “ground-breaking 3-part mini-series” on essential tips for stained glass painting with oil.

And the wind is clearly “in his sails” because he immediately dashed off to studio #2 to set to work.

Which means – next Monday, Wednesday and Friday:

New:
a 3-part
mini-series
on
essential tips for stained glass painting with oil

You have been told.

So while David writes down for you his thrilling tips, I shall prepare my tracing brushes for next week labours …

Tracing brushes from PELI Glass and Williams & Byrne

Hand-made in London with the finest Kolinski Sable